Name: Frederick A. (Tad) Stahl FAIA DCP (hon)
Job title/company: Designer/Stantec
Degree(s): BA, Dartmouth College; MArch, MIT
Current personal interest: Protection and enhancement of residential life in downtown Boston neighborhoods
Current professional interests: Beacon Hill Civic Association; Boston Architectural College; Historic New England
Beacon Hill Civic Association
I co-chair the Beacon Hill Civic Association Planning and Oversight Committee, which is responsible for identifying, monitoring and engaging in development or redevelopment proposals in the city that may have an impact on the quality of residential life in our downtown neighborhood. We work collaboratively with our colleagues in the West End, Downtown North, the North End and Waterfront—which today comprise more than 40,000 residents—to preserve and enhance the quality and character of urban living. Committee members serve on numerous city, state and agency citizen-advisory groups related to proposed institutional, commercial, residential and transportation projects and proposals.
Boston Architectural College
The Boston Architectural College (BAC) is the only American school of design based on concurrent learning within both academic and professional practice settings, although this system is more common in Europe, particularly in the Netherlands. It currently offers six professional [degrees] and one undergraduate degree to more than 1,000 students, is a leader in distance learning and is very active in support of community benefit projects throughout Greater Boston. It is intimately connected to the design professions in Boston through its hundreds of professional volunteer teachers and participating employers. My own experience of the academy and actual practice convinced me many years ago of the great effectiveness of this approach to design training.
Historic New England
I assist in the organization and preservation of the archives of my architectural practice that are in the custody of Historic New England. Understanding, appreciation and preservation of the architecture of the modern era is now well established and is given priority in several significant libraries, archives and recent exhibitions.
My mother was a product of the pre–World War I Edwardian era, and her professional interests were in the field of medicine; she had little opportunity to learn about design as a discipline or consider that my choice of career might be architecture. I think she would readily understand what I am doing now, but she was originally quite unfamiliar with what the life of an architect might be, once having asked me if I had sold any drawings recently.
The City of Boston inspires me every day, for the most part having taken advantage of its remarkable heritage of urban development and the architecture of the past. The depression years had left a deep imprint on the city, which began to lift only in the 1960s and ’70s; today there is abundant energy and opportunity for a rewarding life experience for this and future generations in our unique urban fabric.
Starchitect. The profession has been exemplified far too long by virtuosos who astonish and entertain us with novelty and distortion, neglecting the fundamental principles that support humane and sustainable planning, design and construction. The alert citizen frequently exhibits a better understanding of the values we should incorporate in our work.
Branding. We are gradually losing our way in a thicket of logos and slogans that proffer images without substance and where the meaning, if any, of what they represent becomes increasingly distant and inaccessible.
Of course; my professional team was real family to me; we were all volunteers who wanted to work together.
Concrete Planet [by Robert Courland]; also, iconic crime fiction of the 1930s—Raymond Chandler, Dashiell Hammett, Damon Runyon etc.
By hand, but without any significant artistic ability. I like to think I can draw an eloquent straight line.
Sydney, Australia, to consult on the redevelopment of the Walsh Bay wharves; Washington, DC, to consult on the rehabilitation of Union Station. These assignments came my way as a result of the successful restoration and revitalization of the Faneuil Hall Market buildings, for which I served as architect and planner.
Much of the profession is being absorbed into the global corporate complex, and this trend will undoubtedly continue. I am optimistic about younger, smaller firms whose versatility, flexibility and creativity are more readily engaged and applied.
Design is a result of its cultural context and imperatives, which does not bode well for such a mission; we generally get the architecture and design our culture deserves. I agree with POGO.
In planning and urban design, a coherent and intelligible civil order, responsive and supportive of urban life; in architecture, a consonance with universal principles of natural law, cultural responsibility and intellectual rigor. The metropolis is both the ancient and contemporary prime source and support of civilization; it is now the habitat of more than 50 percent of the globe’s population. Boston is first among American cities to have had this consciousness, and despite its loss for much of the 20th century, evidence of revitalization is abundant.
On reflection, I must credit my extreme good fortune for a great deal of what I consider success; more specifically, that I met and grew to know, in person or in their thought and work, remarkable representatives of Homo sapiens. I sometimes envision an architectural frieze, analogous to that of the BPL, to honor those whose thought, words and works have inspired me, as follows:
We do stand on the shoulders of giants:
Sir John Soane
Theo van Doesburg
Jose Lluis Sert
Hugh Morrison (history of architecture/Dartmouth College)
Eugen Rosenstock-Huessy (social philosopher/Dartmouth College)
Lawrence B. Anderson (chairman of architecture/MIT)
Douglas Stephen (colleague and mentor/London)
James Lawrence and Joseph Richardson (professional godfathers)
Hans Busso von Busse (studio classmate/MIT and lifelong friend)
Bill LeMessurier (professional colleague/collaborator)
Chemistry. I could find no way to visualize a chemical reaction, and the formulas were a foreign language without apparent grammatical sense.
Continue to make the best of whatever comes to hand.
Faneuil Hall Market buildings—Alexander Parris, architect
Boston City Hall—Kallmann McKinnell & Wood Architects
BU Law School Tower—Jose Lluis Sert, architect
Tim Love AIA of Utile
Question authority and conventional wisdom; cultivate curiosity, patience and perseverance; teach yourself to think and to see; search for the universal beyond the superficial.
Citizen! Take Responsibility!